Waxing Nautical
James B. Nicola
There’s a sea to me
miles, fathoms, mains, bays,
and I would be free
but am as I am
only when I am
chained at a bottom of The Great
where it is
too deep for a drop of sun to reach
though this Prison below
is so
well
lit.
All I can do is lie,
removed,
moved and unmoved,
seduce, sip, swallow and, sadly, slay,
add to a collection of what salt tears,
currents, creatures, and time dissolve
to swill,
egest as ambergris.
Another vessel has embarked; another’s lit ashore to safety.
And I cheer for both:
The one, wish Godspeed, clap, and pray
for a better experienced life away
from me
for having sailed upon salt seas
awhile;
The other, beckon,
now that I rage, hungry,
with my mask of stillness,
reflective and reflecting
on the surface
with an illusory, projecting
sheen of day and firmament
for anyone on board who might
wish to ponder,
While underneath, the darkest realm of tombs
summons night, and never likes to lose.
My lungs, heart and stomach, rapacious, beat a rote hypnotic, in sync with the moon and stars, that you would once lean over the gunwales to inquire just too far
And that I might hook and pull you, with a jerk down, to become a glistening pebble in time
at the gastric, elastic
bottom of
the Prison
where we would dance
and make salt worlds
a Prism.
About the Author
James B. Nicola, a returning contributor, is the author of six collections of poetry: Manhattan Plaza, Stage to Page, Wind in the Cave, Out of Nothing: Poems of Art and Artists, Quickening: Poems from Before and Beyond (2019), and Fires of Heaven: Poems of Faith and Sense (2021). His theater career culminated in the nonfiction book Playing the Audience: The Practical Guide to Live Performance, which won a Choice award.