High Relief
David Havird
There are no eyes on you unless they are
the rabbit’s. No eyes that know you from home.
You picture there the dog, black nose
in the dingy carpet, her dreaming legs—
chasing a rabbit? Off it scuttled, that rabbit,
under a yellow blossoming cushion of thorns.
A word formed in your mouth, lagobolon,
and formed in your hand the knotty grip of a cudgel
for braining hares. No eyes, unless they are
the rabbit’s under the spiny spurge. You strip,
flinging your clothes on a rock, and swim.
The goat path down had seemed to wait for feet
only to meet each footsore step of yours
with a bruising stone. In this blue cove’s deep hue,
the blue of the sky is also swimming—as you
are also flying? Before you dress, you pose
beside that rock with clothes. Not only the sun
but also self-regard is gazing.
Exhibit yourself you do, but seemingly
so have hands posed you, if lulls have hands
(as weather has its sculpting hands), your space
become a marble headstone, and you,
in high relief, a hunter gripping a cudgel—
if not a god or quite a hero, still
a figure whose nakedness renders him absent. Grief,
the graybeard father, who leans on a staff,
fingers his lips; a lad, the hunting done,
hugs his knees, his head inside an elbow;
the dog—she’s nosing a scent. You swam it off,
the scent that trailed you here to this
Elysium. Put on those dirty clothes,
which have the bite of onion. Sweat!
—————–
About the Author
David Havird is the author of three collections, of which the most recent, Weathering (Mercer University Press, 2020), includes prose memoir as well as poetry. New work of his is out or will be soon in Birmingham Poetry Review, Literary Imagination, Literary Matters, and Raritan. He taught for thirty years at Centenary College of Louisiana. For more about him visit davidhavird.com.